It is the most technically demanding of the Consolations. It is initially marked Allegretto sempre cantabile and is the longest of the Consolations with a total of 100 measures. The sixth and final Consolation is in E major. Liszt recommended sparing usage of the sostenuto pedal in the interpretation of this Consolation and opined on the positive effect it would have on the more tranquil passages. I have today noted down only the introductory bars of both pieces, with this proviso, that, if you desire it, I shall gladly complete the whole transcription, with exact adaptation of your tone-sustaining pedal. In relation to the use of your welcome tone-sustaining pedal I inclose two examples: Danse des Sylphes, by Berlioz, and No. Liszt began transcribing this Consolation for the new sostenuto pedal and in a letter to Steinway he wrote: In 1883, years after composing the Consolation, Liszt received a Grand piano from the Steinway Company with a design that included a sostenuto pedal. This third Consolation is however one of several of Liszt's works that take a style reminiscent of Chopin some examples include Liszt's Polonaises, Berceuse, Mazurka brillante, and his Ballades. The similarity between the two works has been interpreted as a tribute to Chopin who died in 1849, a year before the Consolations were published. Its style is similar to Chopin's Nocturnes in particular, it seems to have been inspired by Chopin's Nocturne Op. It is the most popular of the Consolations and also a favorite encore piece. The third Consolation is in D ♭ major and initially marked as Lento placido. Problems playing this file? See media help. It is often played directly after the first, without a break. 2 is also in E major and is initially marked Un poco più mosso. The shortest of the set, consisting of just 25 measures, it has an identical opening to another of Liszt's works, the Album-Leaf (Première Consolation), S.171b. The first of the Consolations is in E major and initially marked Andante con moto. In comparison to the first version of the Consolations, the original third Consolation (S.171a/3) was replaced with a new Consolation (Lento placido in D ♭ major) and the remaining Consolations were simplified. This version of the Consolations is better known than the first version and was published in 1850 in Leipzig by Breitkopf & Härtel. Ĭomposed between 18, they are Liszt's second version of the Consolations. The Consolations, S.172, consist of six solo compositions for the piano. Liszt dedicated the Madrigal to a friend of his, a Weimar Intendant named M. In an early manuscript, the fifth Consolation is entitled “Madrigal”. The fifth Consolation is the earliest of the compositions and dates from 1844. ![]() The third Consolation is an arrangement of a Hungarian folksong that would be later reused by Liszt in his Hungarian Rhapsody No.1, S.244/1. The manuscripts are located at the Goethe and Schiller Archives in Weimar. Quasi Adagio, cantabile con devozione (D ♭ major)Ĭomposed between 18, they are Liszt's first version of the Consolations and were first published in 1992 by G.Lento, quasi recitativo (E major /C-sharp minor ).The Consolations, S.171a, consist of six solo compositions for the piano. The Consolations are also referred to as Six pensées poétiques (Six poetic thoughts), a title not used for Breitkopf's 1850 publication but for a set published shortly thereafter, in the same year, by the Bureau Central de Musique in Paris. Sainte-Beuve's Consolations, published in 1830, is a collection of Romantic era poetry where friendship is extolled as a consolation for the loss of religious faith. Another possible inspiration for the title are the Consolations of the French literary historian Charles Sainte-Beuve. Liszt's piano cycle Harmonies poétiques et religieuses is based on Lamartine's collection of poems. The source of the title Consolations may have been Lamartine's poem "Une larme, ou Consolation" from the poetry collection Harmonies poétiques et religieuses (Poetic and Religious Harmonies). The second ( S.172) was composed between 18 and published in 1850 by Breitkopf & Härtel, containing the familiar Consolation No. The first ( S.171a) was composed by Liszt between 18 and published in 1992 by G. ![]() There exist two versions of the Consolations. E major is a key regularly used by Liszt for religious themes. Each Consolation is composed in either the key of E major or D ♭ major. The compositions take the musical style of Nocturnes with each having its own distinctive style. The Consolations (German: Tröstungen) are a set of six solo piano works by Franz Liszt.
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